Как цитировать музейную выставку, этикетку или артефакт

Произведение искусства APA 7, увиденное лично:

Художник, А. А. (Год). Название работы [Medium]. Название музея, Город, ST, Страна.

Табличка или настенный текст APA 7:

[Plaque with background information about Title]. (n.d. или год выставки). Название музея, Город, ST, Страна.

Выставка APA 7, куратор неизвестен:

Title of exhibition [Exhibition]. (Год–Год). Название музея, Город, ST, Страна.

Произведение искусства MLA 9, увиденное лично:

Фамилия художника, Имя. Title of Work. Год, Название музея, Город.

Настенный текст MLA 9:

Wall text for Title of Work, by Имя художника. Exhibition Title, День Мес. Год-День Мес. Год, Название музея, Город.

Примечание Chicago 18 к произведению (CMOS 14.133):

1. Имя художника, Title of Work, Год, техника, размеры, Название музея, Город, object no. Accession, URL, если смотрели онлайн.

Примечание Chicago 18 к каталогу (CMOS 14.134):

2. Имя автора, Title of Catalog, exh. cat. (Издательство, Год), Страница.

Use this format to cite all types of museum artwork, including paintings, sculptures, photographs, prints, drawings, digital art, crafts, and installations.

Always include a description of the medium or format in square brackets after the title. The description is flexible (e.g., a general description such as “[Painting]” or a more specific description such as “[Oil painting]” or “[Oil on canvas]”).

For untitled artwork, include a description in square brackets in place of a title.

Provide a link to the artwork on the museum website if available.

Provide the curator(s) of the exhibition in the author element of the reference.

When the curator is unknown, move the title of the exhibition to the author position of the reference.

Provide a description of the plaque in square brackets rather than the name of the artwork or item so it is clear that you are citing the plaque itself.

If the plaque itself is dated, use that date. If the plaque is not dated, use “n.d.” Do not use the date of the artwork or item being described.

Список литературы, увидено лично (Wood, 1930):

Wood, G. (1930). American gothic [Painting]. Art Institute of Chicago, Chicago, IL, United States.

Скобочная:

(Wood, 1930)

Список литературы, та же работа на сайте Art Institute:

Wood, G. (1930). American gothic [Painting]. Art Institute of Chicago, Chicago, IL, United States. https://www.artic.edu/aic/collections/artwork/6565

Список литературы, официальная строка van Gogh онлайн:

van Gogh, V. (1889). The starry night [Painting]. The Museum of Modern Art, New York, NY, United States. https://www.moma.org/learn/moma_learning/vincent-van-gogh-the-starry-night-1889/

Скобочная:

(van Gogh, 1889)

Повествовательная:

van Gogh (1889)

Список литературы:

[Plaque with background information about American Gothic]. (n.d.). Art Institute Chicago, Chicago, IL, United States.

Скобочная:

([Plaque with background information about American Gothic], n.d.)

Повествовательная:

[Plaque with background information about American Gothic] (n.d.)

Список литературы, выставка без указанного куратора:

Design for eternity: Architectural models from the ancient Americas [Exhibition]. (2015–2016). The Met Fifth Avenue, New York, NY, United States. https://www.metmuseum.org/exhibitions/listings/2015/design-for-eternity

Скобочная:

(Design for Eternity, 2015–2016)

Список литературы, выставка с названными кураторами:

Martinez, J.-L., & Douar, F. (2018–2019). Archaeology goes graphic [Exhibition]. The Louvre, Paris, France. https://www.louvre.fr/en/expositions/archaeology-goes-graphic

Скобочная:

(Martinez & Douar, 2018–2019)

Список литературы, каталог выставки Met (книга, не выставка):

Pillsbury, J., Sarro, P. J., Doyle, J. A., & Wiersema, J. B. (2015). Design for eternity: Architectural models from the ancient Americas. The Metropolitan Museum of Art.

Список литературы, каталог Bambach:

Bambach, C. C. (2017). Michelangelo: Divine draftsman and designer. The Metropolitan Museum of Art.

Note that in the above works-cited-list entries, the date is followed by a comma in the first example and a period in the second. In the first example, 1975 is in the publication-date slot on the MLA format template. In the second example, 1975 tells you when The Train was created, not when it was published on the site MOMA.

There is no date after the title of the container (MOMA) because the date the image was posted is not given on the site.

Provide a description of the wall text as the title of the source. This may include the title of the artwork the wall text explains and the artist who created it.

Cite an art catalog the way you would cite a book.

Список цитируемых работ, увидено в галерее:

Bearden, Romare. The Train. 1975, Museum of Modern Art, New York.

Список цитируемых работ, увидено на сайте музея:

Bearden, Romare. The Train. 1975. MOMA, www.moma.org/collection/works/65232?locale=en.

В тексте:

(Bearden)

Список цитируемых работ, этикетка на датированной выставке:

Wall text for A Warrior’s Story, Honoring Grandpa Blue Bird, by Lauren Good Day Giago. Unbound: Narrative Art of the Plains, 12 Mar.-4 Dec. 2016, National Museum of the American Indian, New York.

Список цитируемых работ, безымянный объект на датированной выставке:

Wall text for central Caribbean tripod vessel in the form of a spectacled owl. Céramica de los Ancestros: Central America’s Past Revealed, 18 Apr. 2015-Dec. 2017, National Museum of the American Indian, New York.

Список цитируемых работ, этикетка постоянной коллекции:

Wall text for jar with feathered serpent design. National Museum of the American Indian, New York.

В тексте (первые слова описания, без кавычек):

(Wall text for A Warrior’s Story)

Список цитируемых работ, произведение на датированной выставке:

Turner, Joseph Mallord William. Dieppe: The Port from the Quai Henri IV. Turner’s Modern and Ancient Ports: Passages through Time, 23 Feb. 2017- 14 May 2017, Frick Collection, New York.

Список цитируемых работ, сама выставка:

Unbound: Narrative Art of the Plains. 12 Mar.-4 Dec. 2016, National Museum of the American Indian, New York.

Список цитируемых работ, инсталляция вокруг художника:

Cave, Nick. Until. 15 Oct. 2016-Aug. 2017, Mass MOCA, North Adams.

В тексте для выставки:

(Unbound)

Список цитируемых работ, каталог с автором:

Bambach, Carmen C. Michelangelo: Divine Draftsman and Designer. Metropolitan Museum of Art, 2017.

Список цитируемых работ, каталог без автора или редактора:

American Encounters: The Simple Pleasures of Still Life. High Museum of Art, 2014.

В тексте:

(Bambach); (American Encounters)

Information about paintings, photographs, sculptures, or other works of art can usually be presented in the text rather than in a note or bibliography.

If a note or bibliography entry is needed, list the artist, a title (in italics), and a date of creation or completion, followed by information about the medium and the location of the work.

For works consulted online, add a URL (14.133).

Museum accession numbers should be included in citations of artworks when they are available.

The abbreviation “exh. cat.” may be used for an exhibition catalog cited in a note.

В тексте, без необходимости примечания:

American Gothic Гранта Вуда (1930, oil on beaver board, Art Institute of Chicago) противопоставляет вилы окну carpenter-gothic.

Примечание, перепечатка UQ образца CMOS Dalí, URL обновлён до https:

1. Salvador Dalí, The Persistence of Memory, 1931, oil on canvas, 9½ × 13″ (24.1 × 33 cm), Museum of Modern Art, New York, https://www.moma.org/collection/works/79018.

Примечание, Wood из живой записи Art Institute плюс инвентарь CMOS 18:

2. Grant Wood, American Gothic, 1930, oil on beaver board, 30 3/4 × 25 3/4 in. (78 × 65.3 cm), Art Institute of Chicago, reference no. 1930.934, https://www.artic.edu/artworks/6565/american-gothic.

Сокращённое примечание:

3. Wood, American Gothic.

Библиография (только если преподаватель хочет произведения в списке):

Wood, Grant. American Gothic. 1930. Oil on beaver board, 30 3/4 × 25 3/4 in. (78 × 65.3 cm). Art Institute of Chicago. Reference no. 1930.934. https://www.artic.edu/artworks/6565/american-gothic.

Примечание, этикетка постоянной коллекции:

4. Art Institute of Chicago, настенный текст к Grant Wood, American Gothic, Gallery 263, Chicago, просмотрено Month Day, Year.

Примечание, этикетка на временной выставке:

5. Metropolitan Museum of Art, настенный текст в Design for Eternity: Architectural Models from the Ancient Americas, New York, October 26, 2015–September 18, 2016.

Сокращённое примечание:

6. Art Institute of Chicago, настенный текст к Wood, American Gothic.

Примечание, каталог (страница опущена, если книга не открыта):

7. Carmen C. Bambach, Michelangelo: Divine Draftsman and Designer, exh. cat. (Metropolitan Museum of Art, 2017).

Библиография, каталог, с собственной строкой о совместной публикации книги:

Bambach, Carmen C. Michelangelo: Divine Draftsman and Designer. Metropolitan Museum of Art, 2017. Published in conjunction with “Michelangelo: Divine Draftsman and Designer,” on view at The Metropolitan Museum of Art, New York, from November 13, 2017, through February 12, 2018.

Примечание, каталог Pillsbury к примеру выставки APA:

8. Joanne Pillsbury, Patricia Joan Sarro, James Alan Doyle, and Juliet Benham Wiersema, Design for Eternity: Architectural Models from the Ancient Americas, exh. cat. (Metropolitan Museum of Art, 2015).

В тексте, выставка как событие:

Выставка Met Design for Eternity: Architectural Models from the Ancient Americas (October 26, 2015–September 18, 2016) сгруппировала погребальные модели древней Америки.

В тексте, каталог:

(Bambach 2017)

Список литературы, каталог:

Bambach, Carmen C. 2017. Michelangelo: Divine Draftsman and Designer. Metropolitan Museum of Art.

В тексте, произведение (если нужна скобочная ссылка):

(Wood 1930)