Jak sformatować cytat blokowy w APA, MLA i Chicago

APA 7, cytat nawiasowy:

Zdanie wprowadzające kończące się dwukropkiem:

     Cytowany tekst liczący 40 lub więcej słów, wcięty o 0.5 in, z podwójną interlinią, bez cudzysłowu, kończący się własną kropką. (Author, Year, p. Page)

APA 7, cytat narracyjny:

Author (Year) ujął to tak:

     Cytowany tekst liczący 40 lub więcej słów. (p. Page)

MLA 9:

Zdanie wprowadzające kończące się dwukropkiem:

     Cytowana proza dłuższa niż cztery wiersze, wcięta o 0.5 in, z podwójną interlinią, bez cudzysłowu. (Author Page)

Chicago 18, notes-bibliography:

Zdanie wprowadzające kończące się dwukropkiem:

     Cytowana proza licząca około 100 słów lub więcej, albo dwa lub więcej akapitów, wcięta o 0.5 in, bez cudzysłowu.1

Chicago 18, author-date:

     Cytowana proza, ten sam układ. (Author Year, Page)

Do not use quotation marks to enclose a block quotation.

Start a block quotation on a new line and indent the whole block 0.5 in. from the left margin.

Either (a) cite the source in parentheses after the quotation's final punctuation or (b) cite the author and year in the narrative before the quotation and place only the page number in parentheses after the quotation's final punctuation.

Do not add a period after the closing parenthesis in either case.

Pozycja:

Alderson-Day, B., & Fernyhough, C. (2015). Inner speech: Development, cognitive functions, phenomenology, and neurobiology. Psychological Bulletin, 141(5), 931–965. https://doi.org/10.1037/bul0000021

W pracy:

Researchers have studied how people talk to themselves:

     Inner speech is a paradoxical phenomenon. It is an experience that is central to many people's everyday lives, and yet it presents considerable challenges to any effort to study it scientifically. Nevertheless, a wide range of methodologies and approaches have combined to shed light on the subjective experience of inner speech and its cognitive and neural underpinnings. (Alderson-Day & Fernyhough, 2015, p. 957)

Inner speech is a paradoxical phenomenon. It is an experience that is central to many people's everyday lives, and yet it presents considerable challenges to any effort to study it scientifically. Nevertheless, a wide range of methodologies and approaches have combined to shed light on the subjective experience of inner speech and its cognitive and neural underpinnings.

Pozycja:

Flores, M. J., Watson, L. B., Allen, L. R., Ford, M., Serpe, C. R., Choo, P. Y., & Farrell, M. (2018). Transgender people of color's experiences of sexual objectification: Locating sexual objectification within a matrix of domination. Journal of Counseling Psychology, 65(3), 308–323. https://doi.org/10.1037/cou0000279

W pracy:

Flores et al. (2018) described how they addressed potential researcher bias when working with an intersectional community of transgender people of color:

     Everyone on the research team belonged to a stigmatized group but also held privileged identities. Throughout the research process, we attended to the ways in which our privileged and oppressed identities may have influenced the research process, findings, and presentation of results. (p. 311)

Everyone on the research team belonged to a stigmatized group but also held privileged identities. Throughout the research process, we attended to the ways in which our privileged and oppressed identities may have influenced the research process, findings, and presentation of results.

Oficjalny przykład nagłówka plus akapitu (Alamo / APA Style):

Music and language are intertwined in the brain such that "people who are better at rhythmic memory skills tend to excel at language skills as well" (DeAngelis, 2018, Musical Forays section, para. 4).

Po bloku, nawiasowo:

(Alderson-Day & Fernyhough, 2015, para. 4)

Po bloku, narracja już nazwała źródło:

(Discussion section, para. 2)

Rozdział i akapit (e-book):

(Roy, 2008, Chapter 6, para. 3)

Znacznik czasu (dzieło audiowizualne):

(Cowan, 2022, 6:09)

Effective teams can be difficult to describe because "high performance along one domain does not translate to high performance along another" (Ervin et al., 2018, p. 470).

All block quotations in your work should be indented the same amount. Even if the block quotation occurs after a short line that is itself indented at the beginning of a paragraph, indent the block quotation as you normally would.

If a quotation extends to more than four lines when run into your text, set if off from the text as a block indented half an inch from the left margin

Works cited:

Gikandi, Simon. Ngugi wa Thiong'o. Cambridge UP, 2000. ACLS Humanities E-book, hdl.handle.net/2027/fulcrum.12579s61p.

W pracy:

For Ngũgĩ wa Thiong'o,

     African writers are haunted by their past simply because the historical narratives that they thought would make their experiences more intelligible have instead confronted them with the opacity of the past. The turn to fiction, then, is one important way of clarifying the confusions created by historical events. . . . (Gikandi 3)

African writers are haunted by their past simply because the historical narratives that they thought would make their experiences more intelligible have instead confronted them with the opacity of the past. The turn to fiction, then, is one important way of clarifying the confusions created by historical events. . . .

Wplecione:

Virginia Woolf describes the scene vividly: "Everything had come to a standstill. The throb of the motor engines sounded like a pulse irregularly drumming through an entire body" (14).

Zablokowane:

Virginia Woolf describes the scene vividly:

     Everything had come to a standstill. The throb of the motor engines sounded like a pulse irregularly drumming through an entire body. The sun became extraordinarily hot because the motor car had stopped outside Mulberry's shop window; old ladies on the tops of omnibuses spread their black parasols; here a green, here a red parasol opened with a little pop. Mrs. Dalloway, coming to the window with her arms full of sweet peas, looked out with her little pink face pursed in enquiry. (14)

Everything had come to a standstill. The throb of the motor engines sounded like a pulse irregularly drumming through an entire body.

Mrs. Dalloway, coming to the window with her arms full of sweet peas, looked out with her little pink face pursed in enquiry.

Works cited:

Hemans, Felicia. "The Image in Lava." The Poetical Works of Mrs. Felicia Hemans, Grigg and Elliot, 1843, p. 318.

Wplecione (trzy linijki lub mniej, złamanie strofy jako //):

"Since here the mournful seal was set / By love and agony! // Temple and tower have mouldered" (lines 3–5).

Zablokowane (cztery linijki lub więcej; zachowaj pusty wiersz między strofami):

Hemans otwiera odciskiem, a potem ruinami:

     Thou thing of years departed!
     What ages have gone by,
     Since here the mournful seal was set
     By love and agony!

     Temple and tower have mouldered,
     Empires from earth have passed
     And woman's heart hath left a trace
     Those glories to outlast! (lines 1–8)

Thou thing of years departed! What ages have gone by, Since here the mournful seal was set By love and agony!

In a block quotation that includes more than one paragraph, indent the beginning of the paragraphs after the first one, even if your source uses line spaces instead of indentation to indicate paragraph breaks. Do not, however, indent the first line of the first paragraph in the block quotation, even if it is the start of a new paragraph in your source.

Bibliografia:

Melville, Herman. Moby-Dick; or, The Whale. New York, 1851. https://melville.electroniclibrary.org/moby-dick-side-by-side.

W pracy:

Ismael traktuje rejs jako kurację:

     Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship.1

Przypis:

1. Herman Melville, Moby-Dick; or, The Whale (New York, 1851), chap. 1, https://melville.electroniclibrary.org/moby-dick-side-by-side.

Późniejszy przypis:

5. Melville, Moby-Dick, chap. 1.

Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can.

W pracy:

Samo miasto jest ciągnięte ku morzu:

     There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward.
          Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries.2

Przypis:

2. Melville, Moby-Dick, chap. 1.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf.

Lista literatury:

Melville, Herman. 1851. Moby-Dick; or, The Whale. New York. https://melville.electroniclibrary.org/moby-dick-side-by-side.

Po bloku:

     . . . I quietly take to the ship. (Melville 1851, chap. 1)

Wplecione:

Hemans otwiera odciskiem, "Thou thing of years departed! / What ages have gone by, / Since here the mournful seal was set," zanim wiersz zwraca się ku ruinom.3

Przypis:

3. Felicia Hemans, "The Image in Lava," in The Poetical Works of Mrs. Felicia Hemans (Grigg and Elliot, 1843), 318.

Zablokowane:

     Thou thing of years departed!
     What ages have gone by,
     Since here the mournful seal was set
     By love and agony!4

Przypis:

4. Hemans, "Image in Lava," 318.

Pełne zdanie, dwukropek (oficjalne wprowadzenie APA):

Researchers have studied how people talk to themselves:

Czasownik mówienia, przecinek:

Jak ujęli to Alderson-Day and Fernyhough (2015),

Ciąg gramatyczny, bez interpunkcji:

Alderson-Day and Fernyhough (2015) argumentują, że

Nie pisz:

Alderson-Day and Fernyhough argue that: — dwukropek rozcina niedokończone zdanie składowe

Identify an omission within a sentence by using three periods with a space before each and a space after the last ( . . . )

Oryginał (oficjalny fragment APA):

Inner speech is a paradoxical phenomenon. It is an experience that is central to many people's everyday lives, and yet it presents considerable challenges to any effort to study it scientifically. Nevertheless, a wide range of methodologies and approaches have combined to shed light on the subjective experience of inner speech and its cognitive and neural underpinnings.

APA 7, słowa wycięte w środku zdania:

It is an experience that is central to many people's everyday lives . . . and yet it presents considerable challenges to any effort to study it scientifically. (Alderson-Day & Fernyhough, 2015, p. 957)

APA 7, wycięte całe zdanie:

Inner speech is a paradoxical phenomenon. . . . Nevertheless, a wide range of methodologies and approaches have combined to shed light on the subjective experience of inner speech and its cognitive and neural underpinnings. (Alderson-Day & Fernyhough, 2015, p. 957)

MLA 9, to samo cięcie zdania:

Inner speech is a paradoxical phenomenon. . . . Nevertheless, a wide range of methodologies and approaches have combined to shed light on the subjective experience of inner speech and its cognitive and neural underpinnings. (Alderson-Day and Fernyhough 957)

Chicago 18, z opisaną wstawką:

Inner speech is a paradoxical phenomenon. It is an experience that is central to many people's everyday lives, and yet it presents considerable challenges to any effort to study it [inner speech] scientifically. (Alderson-Day and Fernyhough 2015, 957)

Oficjalny wpleciony APA (Publication Manual §8.33 / przedruk Jönköping):

Bliese et al. (2017) noted that "mobile devices enabled employees in many jobs to work 'anywhere, anytime' and stay electronically tethered to work outside formal working hours" (p. 391).

Pozycja:

Bliese, P. D., Edwards, J. R., & Sonnentag, S. (2017). Stress and well-being at work: A century of empirical trends reflecting theoretical and societal influences. Journal of Applied Psychology, 102(3), 389–402. https://doi.org/10.1037/apl0000109

To samo brzmienie zablokowane (podwójne wewnątrz; demonstracja układu):

Bliese et al. (2017) zauważyli zasięg telefonu:

     Mobile devices enabled employees in many jobs to work "anywhere, anytime" and stay electronically tethered to work outside formal working hours. (p. 391)